

The female African head below is in a dark-firing clay (unfortunately it reaches its best and darkest colour just before melting!) with added patination in white slip.

The second picture is of the small furnace in use, with the larger dome replaced with a smaller fibre 'hat' for casting smaller items.
The tall pot on the left was fired with a 'sea crystal' glaze, by Jan Andrews.
I also have John to thank for a series of photos of the ceramic shell process, taken on one of my courses.